Tell us about your project

We shoot for film, advertising and live events: drone, multicam, aftermovies and stills. One crew usually covers the whole job, not a one-off piece.

Based in Spain, with most of the work in Madrid, Barcelona and Ibiza. Elsewhere too: what changes is the logistics and the budget, not what gets delivered.

Between 24 and 48 hours. It isn't a rush fee: it's the deadline the shoot is planned around, because an aftermovie that lands two weeks later lands when nobody cares about the event any more.

Yes, with a certified pilot and a safety perimeter coordinated with production. If your site has airspace restrictions, tell us when you ask for a quote: it shapes the flight plan and it is much better known in advance than on the day.

Yes, and not as a last-minute crop: masters are shot open-matte precisely so the horizontal and the vertical come out of the same footage without re-editing.

Date, location and what kind of coverage you want; and, for events, estimated capacity and number of stages. With that we can quote a fixed price. Without it all you get is a range, which helps nobody.

It depends on capacity, how many stages have to be covered at once, and how many hours it runs. The form has budget ranges so you can tell us where you sit and neither of us wastes time.

24 working hours.

Yes. It gets solved in pre-production, not on the fly: a plan broken down by time slots with priorities per stage, so drone and camera aren't both in the same place while something happens in the other.

The drone doesn't fly in rain or strong wind — it's a safety limit of the aircraft itself, not ours — so if the plan includes aerial coverage we flag it in advance to have a backup plan. The rest of the crew — handheld, multicam — does work through moderate rain.