Work

What we've shot

A selection of projects for events, brands and production companies. Pick a discipline, hit play and open any project to find out the story behind it.

23 projects

REC01 / 23
Metropolitano
Metropolitano · 20 December 2025
From outside the stadium down to the pitch in one flight, no cuts
01 / 23See the project
REC02 / 23
MITT MOTORS
16 July 2026
Eleven shots filmed the same day, all in open-matte 4:3 so both landscape and vertical could be delivered
02 / 23See the project
REC03 / 23
Madrid — the four towers
Madrid · 17 May 2026
Second of the eight Madrid postcards from that evening
03 / 23See the project
REC04 / 23
Madrid from the air
Madrid · 17 May 2026
One of eight Madrid postcards shot over two evenings, all eleven seconds long
04 / 23See the project
REC05 / 23
DURO — the site at capacity
DURO · 9 November 2025
Open-matte 4:3 master at 3840×2880, which allows landscape and vertical from the same flight
05 / 23See the project
REC06 / 23
The town above the sea
Mallorca · 21 May 2026
Same run as the other coastal piece, four days after the Madrid ones
06 / 23See the project
REC07 / 23
The coast from the air
Mallorca · 21 May 2026
Shot on the same run as the Madrid postcards, four days later
07 / 23See the project
REC08 / 23
Holika — the portal
Holika · 3 July 2026
Twelve seconds, one flight, not a single cut
08 / 23See the project
REC09 / 23
Fátima Hajji — Fabrik
Fabrik · 17 January 2026
3840×2880 master at 25p — open matte for reframing
09 / 23See the project
REC10 / 23
Monegros — golden hour
Monegros · 26 July 2026
One of twelve aerial postcards shot at the same site
10 / 23See the project
REC11 / 23
DURO — the pyro show
DURO · 3-4 April 2026
Twelve seconds out of a 4:22 master, and not a cut inside
11 / 23See the project
REC12 / 23
GORDO — Lebanon
15 August 2026
3840×2160 master at 25p, booth and screen in the same frame
12 / 23See the project
REC13 / 23
Adrián Mills — Area 19
Fabrik · Area 19 · 7 March 2026
The stage name is legible in the footage itself, not in the run sheet
13 / 23See the project
REC14 / 23
Fabrik 150
Fabrik · 21 February 2026
Third night of the same series shot at the club
14 / 23See the project
REC15 / 23
Prospa — multicam
30 May 2026
Daylight, wide open: the opposite case to a night booth
15 / 23See the project
Still01 / 12·16 / 23
FITZ — live shows
2026
Eight different artists, twelve published frames from a larger set
16 / 23See the project
Still01 / 03·17 / 23
Monegros — stills
Monegros · July 2026
Same site as the aerial postcards, from the ground
17 / 23See the project
REC18 / 23
DURO — the site at night
DURO · 14 September 2025
Native vertical master at 2160×3840: the shot was filmed vertical, not cropped afterwards
18 / 23See the project
REC19 / 23
The booth and the floor
19 October 2025
Cut from a 65 s master: the piece keeps 12, which is how long the gesture lasts
19 / 23See the project
REC20 / 23
Room at capacity
29 October 2025
Filmed at 3840×2880, ten days after the previous piece and on the same circuit
20 / 23See the project
REC21 / 23
Room in red
2 January 2026
A single wide of the whole room, no cuts
21 / 23See the project
REC22 / 23
In the booth
18 January 2026
Cut from a 69 s master, the longest of the batch
22 / 23See the project
REC23 / 23
Monegros — the site
Monegros · 8 September 2026
The most recent piece in the archive
23 / 23See the project

REC01 / 23

00:00:00:00 / 00:00:00:00Aerial

Metropolitano

Metropolitano · 20 December 2025

From outside the stadium down to the pitch in one flight, no cuts

Flight at the Metropolitano stadium for BRESH, who held one of their parties there on 20 December 2025. In a venue this size the drone is the only way to tell the whole space: the approach from outside, the stadium rim and the pitch, in a single run that shifts light and scale in a matter of seconds — outside there's sky and horizon, inside there's structure, stands and pitch, with the rim itself dictating where the aircraft can fly without losing its safety distance. The challenge isn't only spatial. Going from outside to inside a stadium in one flight, with no cuts, means holding speed and framing steady while the visual references change completely. A miscalculated transition shows up immediately in the final shot. Checked with scene detection on the published piece: zero cuts, one flight start to finish. A flight like this isn't improvised on the day. It's planned ahead, coordinated with the venue, with a route rehearsed before the party starts so the drone knows exactly which path to take and at what height, without having to decide on the fly with the crowd already inside. The result is an opening shot meant to place the viewer before the rest of the content begins: anyone watching understands at a glance where they are and the scale of what comes next. It's also the kind of shot no ground camera or crane can get: no camera on the ground covers the distance from the street to the centre of the pitch in a single move, let alone holding the coherence of an unbroken take. It's proof the crew can fly over large crowds with the margin for error a venue that size demands — the same argument behind the rest of the large-event work.

2025 · 01 / 23

See the project