Drone filming in Madrid

Most of the Madrid drone work comes out of Fabrik: seven different pieces, between aftermovies —Fátima Hajji, Adrián Mills at Area 19, Fabrik 150— and room and booth shots filmed over several nights, each one hunting for the moments of connection between the booth and the floor that tell best what the night was like. The biggest flight, by scale, is the one at the Metropolitano stadium: a party BRESH held inside the venue itself, resolved in a single shot from outside the stadium down to the pitch, no cuts. In a space that size the drone is the only camera able to tell the approach, the stadium rim and the pitch in the same run — a flight like that is planned well ahead, coordinated with the venue and rehearsed before the shoot. Outside the clubs, FITZ's live photography: eight different artists —Rick Ross, Arcángel, Sech, Offset, Kapo, Maikel de la Calle, Ye and After the Weekend— covered night after night, with images ready for press and social media before the show is even over. And two jobs outside the club circuit: the MITT MOTORS advertising piece, shot on mountain roads in the Madrid region combining drone and ground camera in a single day, with the bike as the star; and Prospa's multicam coverage, in daylight and outdoors, the opposite of a night booth — no screens or lights separating the artist from the background, so the work lies in framing and where each camera sits. And, alongside client work, a series of our own: eight aerial postcards of the city shot over two sunset evenings, with the skyline, Torrespaña and the four towers cut out against the sky, each shot eleven seconds long. Having them shot calmly, choosing the light, is what sets them apart from a city shot rushed out on the day someone needs it: stock footage for brands, agencies and production companies, ready before a project asks for it. Madrid is also where the crew is based, so it's also where the logistics run with the least room for error: coordination with every venue, a safety perimeter agreed with production, and, whenever a flight passes near restricted zones or the airport, the check happens in pre-production, not on shoot day.

Drone work

• Fátima Hajji — Fabrik
• Adrián Mills — Area 19
• Fabrik 150
• Room in red
• The booth and the floor
• Room at capacity
• In the booth
• Metropolitano
• FITZ — live shows
• MITT MOTORS
• Prospa — multicam
• Madrid from the air
• Madrid — the four towers

Recent work in Madrid

Aerial drone shots for “One ball. Three cities.”, HEAD Tennis's campaign, filmed in Madrid and made for a production company: the ball in flight. You can see them in HEAD Tennis's official videos on YouTube:

• Right on cue: Sinner takes Rome.

  around 0:44, 0:53 and 0:58

  Watch on YouTube: Right on cue: Sinner takes Rome.

• From Rome to Paris: The Final Chapter

  around 0:22, 0:26 and 0:34

  Watch on YouTube: From Rome to Paris: The Final Chapter

Questions about drone filming in Madrid

Are you licensed to fly drones in Madrid?

Yes. We have been registered as an unmanned aircraft (UAS) operator with AESA since 2022. If a flight passes near restricted zones or the airport, the check happens in pre-production, not on shoot day.

Where do you work from in Madrid?

The crew lives in Madrid, so it's where we handle logistics best: coordination with every venue and a safety perimeter agreed with production.

What have you shot with a drone in Madrid?

A single-shot flight with no cuts from outside the Metropolitano stadium down to the pitch; the MITT MOTORS advertising piece in the mountains near Madrid, combining drone and ground camera; aerial shots of the ball in flight for HEAD Tennis's “One ball. Three cities.” campaign, made for a production company; and our own series of aerial postcards of the city, with the skyline, Torrespaña and the Cuatro Torres.

How do I ask for a quote for a flight in Madrid?

Write to us from the contact page with the date, the location and what you want shot. If it's an event, add the capacity and the number of stages.

We also fly in Barcelona, Mallorca.